{"id":194,"date":"2022-10-24T08:00:00","date_gmt":"2022-10-24T06:00:00","guid":{"rendered":"https:\/\/soniakh.com\/?p=194"},"modified":"2023-04-03T13:01:42","modified_gmt":"2023-04-03T11:01:42","slug":"double-exposure-i-community","status":"publish","type":"post","link":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/","title":{"rendered":"Double Exposure I: Community"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><strong>Ongoing Contribution<\/strong> SONIAKH digest presents three curated selections from Inga Levi\u2019s drawing series <em>Double Exposure<\/em>. The project began on February 27th, 2022, and, via Instagram, it became a public archive of the artist\u2019s personal war experience. Levi's handwritten captions have been translated and annotated for context.<\/pre>\n\n\n<div class=\"gallery__wrapper\">\n  <splide-slider class=\"gallery splide\" role=\"group\" aria-label=\"Gallery\">\n          <div class=\"splide__track\">\n        <ul class=\"splide__list gallery__list\">\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.04_Kate-Voznytsia-Lviv-1-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>4 March 2022   Weaving camouflage netting, Lviv \/ Zaporizhzhia Nuclear Power Plant [Kate Voznytsia]<\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.13_Polina-Verbytska-with-her-son-Klaipeda-1-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>3 March 2022   News about the first explosions in Lviv \/ Drawings of the evacuation train, Klaipeda, Lithuania [Artist Polina Verbytska with her son]<\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.14_Daniil-Nemirovskyj-1-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>14 March 2022   Traces of waves on the sand, Klaipeda, Lithuania \/ Daniil Nemirovskyi, who has been out of contact for 12 days in blockaded Mariupol<\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1921\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.03.23_Olesia-Saienko-and-Olia-Koval-photographers-Klaipeda-1-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>23 March 2022   Photographers, Klaipeda [Olesia Saienko and Olia Koval] \/ Photo of an area after shelling, hidden city view, Kyiv<\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.12_pencilpaper_Vova-Polegin-writing-military-music-Kyiv-min-1-1-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>12 April 2022   Writing military music, Kyiv [artist and musician Vova Polegin] \/ Azovstal Plant, Mariupol<\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.15_Vova-Polegin-and-Volodymyr-Melnychenko-in-Melnychenkos-atelier-Kyiv-1-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>15 April 2022   In Volodymyr Melnychenko&#8217;s studio, Kyiv [Artists Vova Polegin and Volodymyr Melnychenko] \/ News that the Cruiser Moskva, flagship of the Russian Black Sea Fleet is on fire, near Zmiinyi Island <\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.04.25_Andriy-Pidpalyj-poet-Kyiv-2-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>25 April 2022   Meeting an acquaintance who said in 2013 that there would be a war, and this time he was wrong for six months, Kyiv [poet and literary scholar Andrii Pidpalyi] \/ Volunteers evacuate an elderly woman from her apartment at a frontline neighborhood, as Russian bombardment continues in Kharkiv (from a photo by M. Chernov)<\/p>\n            <\/li>\n                    <li class=\"splide__slide gallery__item\">\n                <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" src=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2.png 1920w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2-300x300.png 300w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2-1024x1024.png 1024w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2-150x150.png 150w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2-768x768.png 768w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2-1536x1536.png 1536w, https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.05.19_Inga-Zaslavska-cultural-manager-works-in-volunteer-org-Zgraya-now-2-500x500.png 500w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>                <p>19 April 2022   Map of the hostilities in eastern Ukraine \/ Astrophysicist and cultural manager packing hemostatic dressings for our military in the east, Kyiv [the cultural manager is Inga Zaslavska who now works with the volunteer organization Zhraia]<\/p>\n            <\/li>\n                <\/ul>\n      <\/div>\n      <div class=\"splide__arrows\">\n        <button class=\"splide__arrow splide__arrow--prev\">\n          <svg height=\"30\" width=\"30\" id=\"Layer_1\" data-name=\"Layer 1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 98 129\"><path d=\"M1.57.17,96.62,63.61a3.09,3.09,0,0,1-.05,5.18l-95,60.05A1,1,0,0,1,0,128v-9.17a2,2,0,0,1,.94-1.7L82.36,66.24.9,12.84A2,2,0,0,1,0,11.16V1A1,1,0,0,1,1.57.17Z\"\/><\/svg>\n        <\/button>\n        <button class=\"splide__arrow splide__arrow--next\">\n          <svg height=\"30\" width=\"30\" id=\"Layer_1\" data-name=\"Layer 1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 98 129\"><path d=\"M1.57.17,96.62,63.61a3.09,3.09,0,0,1-.05,5.18l-95,60.05A1,1,0,0,1,0,128v-9.17a2,2,0,0,1,.94-1.7L82.36,66.24.9,12.84A2,2,0,0,1,0,11.16V1A1,1,0,0,1,1.57.17Z\"\/><\/svg>\n        <\/button>\n      <\/div>\n      <\/splide-slider>\n<\/div>\n\n\n<p>Inga Levi&#8217;s embeddedness within the Ukrainian art scene remains a key feature of her experience. In this first installment of Levi&#8217;s ongoing contribution, works depicting the lives of members of the Ukrainian art community are superimposed with the events from the battlefield. Animator <a href=\"https:\/\/www.instagram.com\/vozny4ka\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kate Voznytsia<\/a> weaves mesh camouflage netting atop explosions at the Enerhodar Nuclear Power Plant. <a href=\"https:\/\/www.instagram.com\/verbytska_po\/\" target=\"_blank\" rel=\"noreferrer noopener\">Polina Verbytska<\/a>\u2019s children sketch trains over news of missile attacks. The image of artist <a href=\"https:\/\/www.instagram.com\/_ovskiy_ds\/\" target=\"_blank\" rel=\"noreferrer noopener\">Daniil Nemirovsky<\/a>, missing for 12 days in the siege of Mariupol, emerges from Lithuanian waters. The artist himself would soon reemerge from the occupied region, escaping from Mariupol on foot in the coming weeks. Photographers <a href=\"https:\/\/www.instagram.com\/olesia_saienko\/\" target=\"_blank\" rel=\"noreferrer noopener\">Olesia Saienko<\/a> and <a href=\"https:\/\/www.instagram.com\/neooooart\/\" target=\"_blank\" rel=\"noreferrer noopener\">Olia Koval<\/a> inhabit the geometry of a shelled area. <a href=\"https:\/\/www.instagram.com\/vovapolegin\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vova Polegin<\/a> composes music before the image of Azovstal, and later dines with <a href=\"https:\/\/www.instagram.com\/arwm_fund\/\" target=\"_blank\" rel=\"noreferrer noopener\">Volodymyr Melnychenko<\/a> by the light of the flaming Cruiser Moskva. Poet and literature researcher Andrii Pidpalyi\u2019s image merges with that of a woman evacuated from a residential bombardment, while the map of eastern Ukraine hovers over culture manager <a href=\"https:\/\/www.instagram.com\/inga_zovut_mena\/\" target=\"_blank\" rel=\"noreferrer noopener\">Inga Zaslavska<\/a> as she works packing hemostatic dressings.<\/p>\n\n\n\n<p>Community, its power and resilience, has been a central feature of the successful defense of Ukraine. In response to the invasion, people from all walks of life have immediately activated in various capacities, joining humanitarian and military aid efforts, even as they themselves manage the difficult circumstances of displacement, siege, and bombardment. Ukraine\u2019s close-knit artistic community is no exception, with artists participating at all levels of defense, from joining the regular military or territorial defense forces, to organizing soup kitchens for internally displaced people. Inga Levi\u2019s personal associations and friendships show a cross section of this remarkable community, the integrity of which, even when faced with crisis, has never been in crisis itself.&nbsp;<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><strong>Inga Levi<\/strong> is an artist born and based in Kyiv, Ukraine. She graduated from Igor Sikorsky Kyiv Polytechnic Institute in 2011, where she studied Book Illustration. Levi works with drawing, painting, and installation. In the 2000s, her practice started engaging with urban space, architecture, and monumental art. In 2018-2021, Levi curated restoration works of Soviet monumental mosaics from the 1960s in Kyiv. <\/pre>\n\n\n\n<pre class=\"wp-block-preformatted\">Published 24 October 2022<\/pre>\n","protected":false},"excerpt":{"rendered":"<p>Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.<\/p>\n","protected":false},"author":1,"featured_media":664,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"class_list":["post-194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artwork"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Double Exposure I: Community - soniakh<\/title>\n<meta name=\"description\" content=\"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"INGA LEVI: Double Exposure\" \/>\n<meta property=\"og:description\" content=\"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/\" \/>\n<meta property=\"og:site_name\" content=\"soniakh\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-24T06:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-03T11:01:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.10.12_levi_title-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"INGA LEVI: Double Exposure\" \/>\n<meta name=\"twitter:description\" content=\"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.10.12_levi_title-scaled.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/\",\"url\":\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/\",\"name\":\"Double Exposure I: Community - soniakh\",\"isPartOf\":{\"@id\":\"https:\/\/soniakh.com\/#website\"},\"datePublished\":\"2022-10-24T06:00:00+00:00\",\"dateModified\":\"2023-04-03T11:01:42+00:00\",\"author\":{\"@id\":\"https:\/\/soniakh.com\/#\/schema\/person\/4af0eda1a9c0d03546d5ba15e19b369e\"},\"description\":\"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.\",\"breadcrumb\":{\"@id\":\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/soniakh.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Double Exposure I: Community\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/soniakh.com\/#website\",\"url\":\"https:\/\/soniakh.com\/\",\"name\":\"soniakh\",\"description\":\"against war, empire and westsplaining\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/soniakh.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/soniakh.com\/#\/schema\/person\/4af0eda1a9c0d03546d5ba15e19b369e\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/soniakh.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f775190d239b0a15c4cd4e18e715425e130d2af474af6e3fafd4505222005724?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f775190d239b0a15c4cd4e18e715425e130d2af474af6e3fafd4505222005724?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\/\/soniakh.com\"],\"url\":\"https:\/\/soniakh.com\/index.php\/author\/admin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Double Exposure I: Community - soniakh","description":"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/","og_locale":"en_US","og_type":"article","og_title":"INGA LEVI: Double Exposure","og_description":"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.","og_url":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/","og_site_name":"soniakh","article_published_time":"2022-10-24T06:00:00+00:00","article_modified_time":"2023-04-03T11:01:42+00:00","og_image":[{"width":2560,"height":1440,"url":"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.10.12_levi_title-scaled.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_title":"INGA LEVI: Double Exposure","twitter_description":"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.","twitter_image":"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/22.10.12_levi_title-scaled.jpg","twitter_misc":{"Written by":"admin","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/","url":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/","name":"Double Exposure I: Community - soniakh","isPartOf":{"@id":"https:\/\/soniakh.com\/#website"},"datePublished":"2022-10-24T06:00:00+00:00","dateModified":"2023-04-03T11:01:42+00:00","author":{"@id":"https:\/\/soniakh.com\/#\/schema\/person\/4af0eda1a9c0d03546d5ba15e19b369e"},"description":"Double Exposure became Levi\u2019s private archive, which traced the chronology of war and depleted perception of reality. For the ongoing contribution, SONIAKH presents thematic selections of Levi\u2019s works during July, August, and September 2022. In this first installment, we present a selection of works from the series that depict the lives of members of the Ukrainian art community during wartime superimposed with the events from the battlefield. The original captions below the works provide more details on the depicted individuals and events.","breadcrumb":{"@id":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/soniakh.com\/index.php\/2022\/10\/24\/double-exposure-i-community\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/soniakh.com\/"},{"@type":"ListItem","position":2,"name":"Double Exposure I: Community"}]},{"@type":"WebSite","@id":"https:\/\/soniakh.com\/#website","url":"https:\/\/soniakh.com\/","name":"soniakh","description":"against war, empire and westsplaining","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/soniakh.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/soniakh.com\/#\/schema\/person\/4af0eda1a9c0d03546d5ba15e19b369e","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/soniakh.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f775190d239b0a15c4cd4e18e715425e130d2af474af6e3fafd4505222005724?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f775190d239b0a15c4cd4e18e715425e130d2af474af6e3fafd4505222005724?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/soniakh.com"],"url":"https:\/\/soniakh.com\/index.php\/author\/admin\/"}]}},"_links":{"self":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/comments?post=194"}],"version-history":[{"count":45,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts\/194\/revisions"}],"predecessor-version":[{"id":1852,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts\/194\/revisions\/1852"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/media\/664"}],"wp:attachment":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/media?parent=194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/categories?post=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}