{"id":149,"date":"2022-10-10T08:48:00","date_gmt":"2022-10-10T06:48:00","guid":{"rendered":"https:\/\/soniakh.com\/?p=149"},"modified":"2023-04-03T13:02:53","modified_gmt":"2023-04-03T11:02:53","slug":"come-wander-with-me","status":"publish","type":"post","link":"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/","title":{"rendered":"Come Wander With Me"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Come wander with me\" src=\"https:\/\/player.vimeo.com\/video\/646042499?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca 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<\/splide-slider>\n<\/div><\/div>\n\n\n\n<p>In <em>Come Wander With Me<\/em>, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, a Roman noblewoman who stabbed herself in front of her husband after being threatened and raped by prince Sextus Tarquinius; and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria [Klochkivskyi] descent, a dangerous area of Kharkiv, in 1995. The former draws its imagery from art historical depictions of the episode, while the latter draws from a small memorial sign at the site of the crime. Manankina\u2019s practice often deals with topics of women&#8217;s safety, violence, bullying, and victim blaming. In addition to directly addressing such violence, the stories chosen by the artist foreground the problematic pressure placed on women to assume responsibility for potential threats of violence.<\/p>\n\n\n\n<p>While Manankina\u2019s piece predates the current hostilities facing civilian populations in Ukraine, the work\u2019s palpable sense of fear and its exploration of the complex feelings of cuplability that accompany threats of sexual violence have never been more poignant. As the Russian invasion grinds on, more and more terror, rape, and subsequent killings of women and girls, as well as men and boys, have been reported, often graphically evidenced by the recovery of their brutally mutilated bodies in the deoccupied cities. In Roman mythology, Lucretia\u2019s mutilated body became a galvanizing symbol against tyranny and injustice that ultimately paved the way to political revolution. In today\u2019s Ukraine, while the nation\u2019s democratic body politic is under threat more violently than any time in its independent history, foriegn politicians and media continue to claim that Ukraine\u2019s independence, its freely chosen geopolitical associations, and its agency as a nation state are provocations that can in some way excuse Russian aggression.<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><strong>Anna Manankina<\/strong> is an interdisciplinary media artist from Kharkiv, Ukraine. She works with video, VR and AR, installation, sound, 3D-animation, and printing. She investigates the topics of posthumanism and feminism, power structures, violence and gender identity. She is a finalist of the program EXTER, fellow of the Gaude Polonia program, artist in residence of REMAIN Trans-Media-Akademie Hellerau in Dresden, and a finalist of NonStopMedia, biennale for young artists in Kharkiv. Her projects have been exhibited in Austria, Slovakia, Germany, Lithuania, Poland, and Ukraine<\/pre>\n\n\n\n<pre class=\"wp-block-preformatted\">Published 10 October 2022<\/pre>\n","protected":false},"excerpt":{"rendered":"<p>In Come Wander With Me, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria descent in Kharkiv, in 1995.<\/p>\n","protected":false},"author":1,"featured_media":611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"class_list":["post-149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artwork"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Come Wander With Me - soniakh<\/title>\n<meta name=\"description\" content=\"In Come Wander With Me, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria descent in Kharkiv, in 1995.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANNA MANANKINA: Come Wander With Me\" \/>\n<meta property=\"og:description\" content=\"In Come Wander With Me, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, a Roman noblewoman who stabbed herself in front of her husband after being threatened and raped by prince Sextus Tarquinius; and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria [Klochkivskyi] descent, a dangerous area of Kharkiv, in 1995. The former draws its imagery from art historical depictions of the episode, while the latter draws from a small memorial sign at the site of the crime. Manankina\u2019s practice often deals with topics of women&#039;s safety, violence, bullying, and victim blaming. 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The former draws its imagery from art historical depictions of the episode, while the latter draws from a small memorial sign at the site of the crime. Manankina\u2019s practice often deals with topics of women&#039;s safety, violence, bullying, and victim blaming. 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In addition to directly addressing such violence, the stories chosen by the artist foreground the problematic pressure placed on women to assume responsibility for potential threats of violence.","og_url":"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/","og_site_name":"soniakh","article_published_time":"2022-10-10T06:48:00+00:00","article_modified_time":"2023-04-03T11:02:53+00:00","og_image":[{"width":1024,"height":562,"url":"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/Screen-Shot-2022-10-10-at-14.36.50-1024x562.png","type":"image\/png"}],"author":"admin","twitter_card":"summary_large_image","twitter_title":"ANNA MANANKINA: Come Wander With Me","twitter_description":"In Come Wander With Me, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, a Roman noblewoman who stabbed herself in front of her husband after being threatened and raped by prince Sextus Tarquinius; and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria [Klochkivskyi] descent, a dangerous area of Kharkiv, in 1995. The former draws its imagery from art historical depictions of the episode, while the latter draws from a small memorial sign at the site of the crime. Manankina\u2019s practice often deals with topics of women's safety, violence, bullying, and victim blaming. In addition to directly addressing such violence, the stories chosen by the artist foreground the problematic pressure placed on women to assume responsibility for potential threats of violence.","twitter_image":"https:\/\/soniakh.com\/wp-content\/uploads\/2022\/10\/Screen-Shot-2022-10-10-at-14.36.50.png","twitter_misc":{"Written by":"admin","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/","url":"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/","name":"Come Wander With Me - soniakh","isPartOf":{"@id":"https:\/\/soniakh.com\/#website"},"datePublished":"2022-10-10T06:48:00+00:00","dateModified":"2023-04-03T11:02:53+00:00","author":{"@id":"https:\/\/soniakh.com\/#\/schema\/person\/4af0eda1a9c0d03546d5ba15e19b369e"},"description":"In Come Wander With Me, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria descent in Kharkiv, in 1995.","breadcrumb":{"@id":"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/soniakh.com\/index.php\/2022\/10\/10\/come-wander-with-me\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/soniakh.com\/"},{"@type":"ListItem","position":2,"name":"Come Wander With Me"}]},{"@type":"WebSite","@id":"https:\/\/soniakh.com\/#website","url":"https:\/\/soniakh.com\/","name":"soniakh","description":"against war, empire and westsplaining","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/soniakh.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/soniakh.com\/#\/schema\/person\/4af0eda1a9c0d03546d5ba15e19b369e","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/soniakh.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f775190d239b0a15c4cd4e18e715425e130d2af474af6e3fafd4505222005724?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f775190d239b0a15c4cd4e18e715425e130d2af474af6e3fafd4505222005724?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/soniakh.com"],"url":"https:\/\/soniakh.com\/index.php\/author\/admin\/"}]}},"_links":{"self":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts\/149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/comments?post=149"}],"version-history":[{"count":24,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts\/149\/revisions"}],"predecessor-version":[{"id":1856,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/posts\/149\/revisions\/1856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/media\/611"}],"wp:attachment":[{"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/media?parent=149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soniakh.com\/index.php\/wp-json\/wp\/v2\/categories?post=149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}