1.0soniakhhttps://soniakh.comadminhttps://soniakh.com/index.php/author/admin/ANNA MANANKINA: Come Wander With Merich600338<blockquote class="wp-embedded-content" data-secret="Uf1jtZRwhR"><a href="https://soniakh.com/index.php/2022/10/10/come-wander-with-me/">Come Wander With Me</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://soniakh.com/index.php/2022/10/10/come-wander-with-me/embed/#?secret=Uf1jtZRwhR" width="600" height="338" title="“Come Wander With Me” — soniakh" data-secret="Uf1jtZRwhR" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://soniakh.com/wp-content/uploads/2022/10/Screen-Shot-2022-10-10-at-14.36.50-1024x562.png1024562In Come Wander With Me, Anna Manankina juxtaposes two tragic scenes: the mythological story of the rape of Lucretia, a Roman noblewoman who stabbed herself in front of her husband after being threatened and raped by prince Sextus Tarquinius; and the actual story of Liudmyla Tatarchenko, a 17-year-old Ukrainian girl who was killed in Passionaria [Klochkivskyi] descent, a dangerous area of Kharkiv, in 1995. The former draws its imagery from art historical depictions of the episode, while the latter draws from a small memorial sign at the site of the crime. Manankina’s practice often deals with topics of women's safety, violence, bullying, and victim blaming. In addition to directly addressing such violence, the stories chosen by the artist foreground the problematic pressure placed on women to assume responsibility for potential threats of violence.